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It’s a shame but, the harp is one of those instruments that tends to get typecast—it’s the go-to tool to evoke the ethereal, the pastoral, the stereotypically feminine. Harpist Grace Scheele, however, understands that this baggage also makes it ripe for subversion, she also understands that one needn’t throw the proverbial baby out with the bathwater. The result of her vision and exhaustive research into her instrument—as one hears in the video Manifest—is a pliable, fluid, continuum of sound that’s as beautiful as it is unconventional. She variously bows the instrument, employs preparations for radiant sizzles of colour, summons everything from howls to percussive pops. On the other hand, she also weaves chiming resonances and fluttering melody through these textures and augments them with electronics. For those that didn’t know it already, Scheele asserts—and persuasively so—that the harp is a rich and polymorphous tool.

Grace Scheele, harpist

Grace Scheele is a contemporary harpist, composer, theatre artist, and improviser. Through her creative work she explores the intersections between psychopathology, repetition, gender identity, nationality, and lived experience. 

As a soloist Grace interweaves electronics, free/structured improvisation, looping and sampling to develop eclectic narrative-focused works: reimagining the pedal harp as an electroacoustic instrument. Recently, she performed her film score to Dylan Mitro and Sydney Nicole Herauf’s How Do Clowns Say I Love You during TIFF’s 2020 Next Wave Film Festival. Photo credit: Michael Borkovic

CMC Presents Multilocation is generously supported by The Canada Council for the Arts, the Department of Canadian Heritage, The SOCAN Foundation, FACTOR, The Ontario Arts Council, The Toronto Arts Council, and the Ontario Arts Foundation. This presentation is also supported by The McLean Foundation and the Canada Arts Presentation Fund.

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