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Trio/74
for harp, bass clarinet and string bass
Mixed Chamber Ensemble (1 to 9 Performers), Trios, Woodwinds, Plectral Strings/Bowed StringsTwo French love poems
for soprano, flute and piano
Solo Voice, with Chamber Ensemble, Woodwinds, KeyboardsTwo and a half squares in a circle
a work for tympani, flute, violin, violoncello
Mixed Chamber Ensemble (1 to 9 Performers), Quartets, Woodwinds/Percussion, Bowed StringsTwo pieces for woodwind quintet
for flute, oboe, clarinet, horn and bassoon
Woodwinds, Solo/Ensemble, Quintet (Flute/Oboe/Clarinet/Horn/Bassoon)Winds
for flute, violoncello, celesta, harpsichord and percussion
Mixed Chamber Ensemble (1 to 9 Performers), Quintets, Woodwinds/Percussion, Keyboard/Bowed StringsMiserere
for 4 french horns, organ, and percussion
Mixed Chamber Ensemble (1 to 9 Performers), Nonets, Brass/Percussion, KeyboardStrings, Bowed, with Keyboard, Trio (Violin/Cello/Keyboard)Strings, Bowed, Solo/Ensemble, Trio (Violin/Viola/Cello)Strings, Bowed, with Keyboard, ViolinStrings, Bowed, with Keyboard, CelloKeyboard, Accordion, One Keyboard, Two HandsThe Breath of Music
Where Words and Sound Meet
Progression
From Romantic South American to Canadian New Music
From the romantic miniature tone poems of Barrios and the exuberant Afro-Caribbean folk rhythms of Casseus to the exotic colours of Domeniconi, we hear a rich legacy of influences that have come to bear on guitar music in the late Twentieth century.Go to Top