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Srul Irving Glick's (1934 – 2002) musical depictions of Jewish life in his Suites Hébraïques are particularly vivid examples of his chamber music. Glick wrote for many other genres, including art song, choral and symphonic music, but these six suites contain much of his very finest work.
Shir Haavoda
for SATB chorus
Choral (9 with Voices), A Capella
Seven Tableaux
from the Song of Songs, for soprano and piano (high version)
Solo Voice, with Solo Instrument, Keyboards
Ballade for solo piano
Angel's kiss
Keyboard, Piano, One Keyboard, Two Hands
Isaiah
for tenor solo, SATB and piano
Solo Voice, with Chorus with Instrumental Ensemble (1-20 Performers), Keyboards
Serenade and dance
for solo violin
Strings, Bowed, Solo/Ensemble, Violin
How beautiful you are my love
7 tableaux from the Song of Songs
Choral (9 with Voices), with Solo Instrument, Strings Bowed
The klezmer’s wedding
for clarinet, and string orchestra
Orchestra/Large Ensemble, String Orchestra with Soloist, Clarinet
South of North
Images of Canada
Solo Voice, with Solo Instrument, Keyboards
Solo Voice, with Solo Instrument, Keyboards
Poet’s life
A portrait in six poems
Solo Voice, with String Orchestra (with or without Keyboard)
Strings, Plectral, Solo, Harp, Solo
Keyboard, Piano, One Keyboard, Two Hands
Dedication
Chanukat habait
Strings, Bowed, with Keyboard, Cello
Shirei t’shuva
Songs of return : A Selihot service
Solo Voice, with Chorus with Instrumental Ensemble (1-20 Performers), Strings Bowed
We are children just the same
Five songs from children's poetry from the weekly journal Vedem Terezinm 1942-1944
Solo Voice, with Chamber Ensemble, Keyboard/Strings Bowed
A night at Heaven’s gate
A Klezmer rhapsody (for violin, cello and marimba)
Mixed Chamber Ensemble (1 to 9 Performers), Trios, Percussion, Bowed Strings
Strings, Bowed, with Keyboard, Misc. String Quintet
Choral (9 with Voices), with String Orchestra
Days of awe: suite no. 1
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Strings, Bowed, Solo/Ensemble, Quartet (2 Violin/Viola/Cello)Go to Top
