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Zymolysis
for clarinet, trombone, percussion and double bass
Mixed Chamber Ensemble (1 to 9 Performers), Quartets, Woodwinds/Brass/Percussion, Bowed Strings
Words
musical settings of poems by Robert Creeley
Solo Voice, with Chamber Ensemble, Woodwinds/Brass/Percussion, Keyboard/Strings Bowed
Women of trachis
Incidental music for the play
Orchestra/Large Ensemble, Chamber Orchestra (10 to 20)
Choral (9 with Voices), A Capella
Keyboard, Piano, One Keyboard, Two Hands
Orchestra/Large Ensemble, Full Orchestra (20 or more)
Three interludes
[revised]
Orchestra/Large Ensemble, Full Orchestra (20 or more)
Strings, Plectral, with Keyboard, Guitar/Lute, Solo
Percussion, Solo/Ensemble, No Keyboard
Mixed Chamber Ensemble (1 to 9 Performers), Variable Ensemble
Talos IV
for solo accordion
Keyboard, Accordion, One Keyboard, Two Hands
Keyboard, Piano, One Keyboard, Two Hands
Symphony no. 3
Andromeda
Orchestra/Large Ensemble, Full Orchestra (20 or more)
Symphony no. 2
Visions of a wounded earth
Choral (9 with Voices), with Full Orchestra
Orchestra/Large Ensemble, Full Orchestra (20 or more)
Suite from dog in the manger
for flute, clarinet, horn, trumpet, percussion and piano
Mixed Chamber Ensemble (1 to 9 Performers), Sextets, Woodwinds/Brass/Percussion, Keyboard
Mixed Chamber Ensemble (1 to 9 Performers), Duos, Percussion, Keyboard
A perfect introduction to Michael S. Horwood's compositional style, this recording is beautifully performed by the Sinfonia Varsovia, conducted by Ian Hobson.
Strings, Bowed, Solo/Ensemble, Quartet (2 Violin/Viola/Cello)
Splinters
for 2 clarinets, tuba, viola, double bass and percussion
Mixed Chamber Ensemble (1 to 9 Performers), Sextets, Woodwinds/Brass/Percussion, Bowed StringsGo to Top
