-
b9
the nine symphonies of Beethoven
Full Orchestra (20 or more)
Jack and Mike
Hot Real-Time Electro-Acoustic Collective Composition
Electronics/Multimedia, Chamber Ensemble (2-9 Performers), Brass
The Idea of This
[A Disembodied voice]
Electronics/Multimedia, Orchestra
Ariature (from The Idea of This)
for chamber orchestra and tape or tenor
Solo Voice, with Full Orchestra
Strings, Bowed, Solo/Ensemble, Quartet (2 Violin/Viola/Cello)
Orchestra/Large Ensemble, String Orchestra
Classic
for one or 2 orchestras
Orchestra/Large Ensemble, Full Orchestra (20 or more)
Homonymy
for ten musicians and cinema
Electronics/Multimedia, Large Ensemble (10-20 Performers), Woodwinds/Brass/Percussion, Bowed Strings
Electronics/Multimedia, Orchestra
Orchestra/Large Ensemble, Orchestra with Soloist, Piano
Electronics/Multimedia, Chamber Ensemble (2-9 Performers), Bowed Strings
Strings, Bowed, Solo/Ensemble, Quartet (2 Violin/Viola/Cello)
Early 20th century woodwind quintet
for flute, oboe, clarinet, horn and bassoon
Woodwinds, Solo/Ensemble, Quintet (Flute/Oboe/Clarinet/Horn/Bassoon)
Acupuncture
for clarinet, trumpet, piano, 2 percussion and double bass
Mixed Chamber Ensemble (1 to 9 Performers), Sextets, Woodwinds/Brass/Percussion, Keyboard/Bowed Strings
Electronics/Multimedia, Chamber Ensemble (2-9 Performers), Bowed Strings
Sonic Mosaics
Conversations with Composers
Avatar invited eight composers to select at will from OHM editions' audio production from 1993 to 1998.
Parcours scénographique is adapted from an experimental theatre project by Émile Morin.
dearness features Fred Frith, certainly one of the great contributors to adventurous new music, John Oswald, (in)famous for his landmark plunderphonics work, and Anne Bourne, who carries her sense of musical adventure along with her cello gracefully across the musical spectrum.
Decisive Moments
Hot Real-Time Electro-Acoustic Collective Composition
"Toronto improv ensembe (CCMC) return in full force, with this, an almost 80-minute CD, full of screeches, noises, concealed designs and mad vocals... What I love most about CCMC's improvisations is their ability to retain a healthy sense of humour while pursuing their chosen explosive craft." -Tom Sekowski, Exclaim Magazine
Celebrating 40 years of Electroacoustic Music at Simon Fraser University 1965-2005Go to Top
