-
A winter day’s journey
Settings of poetry from the Imperial Anthology, Shinkokinsh? [for soprano, English horn and harp]
Solo Voice, with Chamber Ensemble, Woodwinds/Brass/Percussion, Plectral Strings
In country sleep
a setting of the poem by Dylan Thomas; for tenor, clarinet, violin, viola, double-bass and piano
Solo Voice, with Chamber Ensemble, Woodwinds, Keyboard/Strings Bowed
In country sleep
a setting of the poem by Dylan Thomas; for tenor soloist and chamber orchestra
Solo Voice, with Chamber Ensemble, Woodwinds/Brass/Percussion, Plectral Strings/Strings Bowed
Fantasia on “Down Ampney”
for flute and double string orchestra
Orchestra/Large Ensemble, String Orchestra with Soloist, Flute/Piccolo
A Northumbrian elegy
[revised 2000]
Orchestra/Large Ensemble, Full Orchestra (20 or more)
Minyo-shu: a gathering of folk song
Five Japanese folk songs arranged for SATB chorus and piano
Choral (9 with Voices), with Solo Instrument, Keyboards
Sinfonia Lyrica
orchestra
Orchestra/Large Ensemble, Full Orchestra (20 or more)
Ten Japanese folk songs
arranged for medium - high voice with concert harp, pedal harp or piano
Solo Voice, with Solo Instrument, Plectral Strings
Ten Japanese folk songs
settings of traditional melodies for medium - high voice and piano
Solo Voice, with Solo Instrument, Keyboards
Continent’s end
A setting of the poem by Robinson Jeffers; for soprano and piano
Solo Voice, with Solo Instrument, Keyboards
Seven poems of Robinson Jeffers
a song cycle low voice
Solo Voice, with Solo Instrument, Keyboards
Divine immanence
two poems by Robinson Jeffers; for soprano and piano
Solo Voice, with Solo Instrument, Keyboards
Seven poems of Robinson Jeffers
for high voice and piano
Solo Voice, with Solo Instrument, Keyboards
Strings, Bowed, Solo/Ensemble, String Sextet
Concerto for violin and orchestra
revised 2000
Orchestra/Large Ensemble, Orchestra with Soloist, Violin
Songs of Nature and Love
for soprano and piano
Solo Voice, with Solo Instrument, Keyboards
As We Stood Then
for mezzo-soprano or baritone, violin/viola, and piano
Solo Voice, with Chamber Ensemble, Keyboard/Strings Bowed
Solo Voice, with Solo Instrument, Keyboards
In Bed’lem in that faire citee
a carol
Keyboard, Piano, One Keyboard, Two Hands
Snowy Morning in Koishikawa
for Violin and Harp
Strings (bowed), Solo / Ensemble, Misc. String Duos (Mixed)
The Back of Fuji from Minobu River
for Violin and Harp
Strings (bowed), Solo / Ensemble, Misc. String Duos (Mixed)
View of Mount Fuji
Four Miniatures After Wood-Block Prints by Hokusai
Mixed Chamber Ensembles (1 to 9 Performers), Duos, Plectral String(s) / Bowed String(s)
Of love and time (Ren-ai to toki ni tsuite)
A Kumi-Uta for Soprano, Flute, Oboe, Violin, Viola, Violoncello and harpsichord
Songs of a thousand autumns
for Mixed Voices and Piano
Choir (9 + Voices) with Keyboard
Chō-On-Zan (Tide-Sound-Mountain)
for Shakuhachi
Woodwinds - Shakuhachi
A Chilcotin Pastorale
from "Illahee Shanties"
As We Stood Then
for mezzo-soprano or baritone and orchestra
Solo Voice with Chamber Orchestra
Night
For baritone, SATB chorus, string quartet (or string orchestra)
Baritone, SATB chorus, string quartet (or string orchestra)
Lines from “The Fugitive”
for high voice and clarinet in Bb
Go to Top
