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A winter day’s journey
Settings of poetry from the Imperial Anthology, Shinkokinsh? [for soprano, English horn and harp]
In country sleep
a setting of the poem by Dylan Thomas; for tenor, clarinet, violin, viola, double-bass and piano
In country sleep
a setting of the poem by Dylan Thomas; for tenor soloist and chamber orchestra
Fantasia on “Down Ampney”
for flute and double string orchestra
A Northumbrian elegy
[revised 2000]
Minyo-shu: a gathering of folk song
Five Japanese folk songs arranged for SATB chorus and piano
Sinfonia Lyrica
orchestra
Ten Japanese folk songs
arranged for medium - high voice with concert harp, pedal harp or piano
Ten Japanese folk songs
settings of traditional melodies for medium - high voice and piano
Continent’s end
A setting of the poem by Robinson Jeffers; for soprano and piano
Seven poems of Robinson Jeffers
a song cycle low voice
Divine immanence
two poems by Robinson Jeffers; for soprano and piano
Seven poems of Robinson Jeffers
for high voice and piano
Concerto for violin and orchestra
revised 2000
Songs of Nature and Love
for soprano and piano
As We Stood Then
for mezzo-soprano or baritone, violin/viola, and piano
In Bed’lem in that faire citee
a carol
Snowy Morning in Koishikawa
for Violin and Harp
The Back of Fuji from Minobu River
for Violin and Harp
View of Mount Fuji
Four Miniatures After Wood-Block Prints by Hokusai
Of love and time (Ren-ai to toki ni tsuite)
A Kumi-Uta for Soprano, Flute, Oboe, Violin, Viola, Violoncello and harpsichord
Songs of a thousand autumns
for Mixed Voices and Piano
Chō-On-Zan (Tide-Sound-Mountain)
for Shakuhachi
A Chilcotin Pastorale
from "Illahee Shanties"
As We Stood Then
for mezzo-soprano or baritone and orchestra
Night
For baritone, SATB chorus, string quartet (or string orchestra)
Lines from “The Fugitive”
for high voice and clarinet in Bb
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