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Soundspinning calls attention to some of Southam’s rarely heard gems, going back as far as 1963. Virtuosic torrents of notes, 12 tone meditations and monumental, chordal pieces all demonstrate her compositional mastery and creativity.
Glass Houses
Revised and edited by Christina Petrowska Quilico (2010)
Keyboard, Piano, One Keyboard, Two Hands
Keyboard, Piano, One Keyboard, Two Hands
Glass Houses
Nos. 1-15
Keyboard, Piano, One Keyboard, Two Hands
Simple lines of enquiry
for piano solo
Keyboard, Piano, One Keyboard, Two Hands Engraved by David Foley
Suite for Piano
for solo piano
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