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Clés
Robert Lemay
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Désormais is Mitchell Akiyama and Joshua Treble. Akiyama has released works on Substractif and his own intr_version imprint. Treble has released on the Pitch Cadet label. Together they create highly textured ambient noise recordings.
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Queen Mab
Marilyn Lerner and Lori Freedman pair up as Queen Mab.Phil Ogison's meditations on clouds, using no synthesizers, all delayed electric guitar.Colin Eatock: Choral and Orchestral Music
Choral and Orchestral music/Musique chorale et Orchestrale
For this recording, Colleen Athparia has selected pieces from Spain, France and Canada that range in date of composition from 1890 to 1978.Henry Kucharzyk is a composer too eclectic to be pigeon-holed. He is one of Canadian music's explorers. - William Littler, Toronto StarORIANA Women's Choir has created a Christmas CD featuring music that portrays the COMFORT AND JOY of the holiday season.Vivienne Spiteri, harpsichordist extraordinaire, has produced a phenomenal disc of aggressive and insightful new electroacoustic music.Michael Matthews' The First Sea is an attempt to express the feelings associated with discoveries, with the expansion of consciousness.Five major works by Rui Shi Zhuo, who has found his own path to express traditional Chinese music through contemporary western forms.As part of the Celebrations of the 40th Anniversary of its inauguration, the Place des Arts and XXI-21 Productions present the first CD release of the September 23rd, 1963, opening concert.Jacques Hétu: Concertos as performed by the CBC Radio OrchestraDense layers of cascading horns; sticky, twisted beats; lush melodies; Conflits is a new mutation in the ever changing hip hop organism.Conjuring
viola music of David Jaeger
Constantinople weaves together threads from East-West, sacred-secular, past-present, real-mythical, high art-popular culture and much more. The strength of its underlying message is reinforced by the way Christos Hatzis challenges our expectation that its music belongs in one genre or another.The Evergreen Club's first recording of popular Indonesian music is both a plateau and a paradox.Go to Top