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"Wu in Zen is ‘not’ the expected. The pleasure of Rudolf Komorous' Wu is the pleasure of the unexpected. Listening to a line of notes falling like water drops from a melting icicle, at irregular intervals, a note rising when you anticipate it will descend, a chord appearing in a line of single notes like a crow in a flight of sparrows. The pleasure of the unexpected." – WholeNote
Wu
for piano solo
Keyboard, Piano, One Keyboard, Two HandsSolo Voice, with Chamber Ensemble, Woodwinds, Strings BowedChoral (9 with Voices), with Full OrchestraUntitled 6
for viola da gamba and harpsichord
Strings, Bowed, with Keyboard, Misc. String SoloUntitled 5
for double bass, flute, viola and horn
Mixed Chamber Ensemble (1 to 9 Performers), Quartets, Woodwinds/Brass, Bowed StringsUntitled 4
for 4 oboes, 2 trumpets and violin
Mixed Chamber Ensemble (1 to 9 Performers), Septets, Woodwinds/Brass, Bowed StringsUntitled 3
for 2 flutes, oboe, bassoon, 2 trumpets in C, vibraphone, piano, 4 violins, and 2 contra-basses
Orchestra/Large Ensemble, Chamber Orchestra (10 to 20)Solo Voice, with Chamber Ensemble, Woodwinds/Brass, Strings BowedSolo Voice, with Chamber Ensemble, Woodwinds, Strings BowedSolo Voice, with Chamber Ensemble, Strings BowedOrchestra/Large Ensemble, Chamber Orchestra (10 to 20), PianoThe necklace of clear understanding
for baroque flute alone
Woodwinds, Solo/Ensemble, Flute/PiccoloTango
seven autumn haiku and three winter tanka
Orchestra/Large Ensemble, Chamber Orchestra (10 to 20)Orchestra/Large Ensemble, Chamber Orchestra (10 to 20)To experience fully the music of Rudolf Komorous, one has only to listen attentively. The emotional language of the music is readily apparent and on the surface. And yet, the unpredictable juxtapositions of events, the turns of phrase, the surprising chords, and the unusual sounds delineate a landscape which encompasses a wide range of feelings and sensitivities.Go to Top