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The Restless Spheres
for solo cello
Solo Cello -
on a fragile curve
for piano and chamber orchestra
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Sharp Edges
for violin, viola, cello, bass & percussion
Mixed Chamber Ensemble (1 to 9 Performers), Quintets, Woodwinds/Percussion, Bowed Strings -
Valence II
for clarinet, violin, cello, and piano
Mixed Chamber Ensemble (1 to 9 Performers), Quartets, Woodwinds, Keyboard/Bowed Strings -
Valence III
for oboe, cello, and percussion
Mixed Chamber Ensemble (1 to 9 Performers), Trios, Woodwinds/Percussion, Bowed Strings -
A Contemplation on the Second Station of the Cross
for string quartet
Strings, Bowed, Solo/Ensemble, Quartet (2 Violin/Viola/Cello) -
Valence IV
for clarinet, trumpet, percussion, piano, violin, and cello
Mixed Chamber Ensemble (1 to 9 Performers), Sextets, Woodwinds/Brass/Percussion, Keyboard/Bowed Strings -
Stellam – Lunam – Rorate caeli desuper
for soprano, mixed chorus, and orchestra
Solo Voice, with Full Orchestra/Chorus -
and wondrous strange snow
for solo violin, strings, piano, and percussion
Orchestra/Large Ensemble, String Orchestra with Multiple Soloists, Misc. Soloist -
Give ear to my words, o Lord
Psalm 5: 1,2,8,12; SATB a cappella
Choral (9 with Voices), A Capella -
Wings and Engines
for solo violin and orchestra
Orchestra/Large Ensemble, Orchestra with Soloist, Violin -
Strings, Bowed, Solo/Ensemble, Violin Duo
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Releasing anamnesis
for string quartet
Strings, Bowed, Solo/Ensemble, Quartet (2 Violin/Viola/Cello) -
Mixed Chamber Ensemble (1 to 9 Performers), Trios, Keyboard/Plectral Strings/Bowed Strings
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Aspects of the hawk
for guitar, violin, viola and cello
Mixed Chamber Ensemble (1 to 9 Performers), Quartets, Plectral Strings/Bowed Strings -
Chronometrics
for violin and piano
Strings, Bowed, with Keyboard, Violin -
Inspired by a year-long sojourn in Spain and Europe, Danielle Cumming features works by composers who, like her, spent time in other cultures and came away with their own musical impressions, or postcards. -
Sharp Edges is a collection of seven solo and chamber compositions written between 2004 and 2011. It marks a landmark in Robert Baker's compositional output.
