-
Strategies against architecture
for brass and percussion
Brass, Solo/Ensemble, Octets and Large Brass EnsemblesNocturne
for guitar, viola and violoncello
Mixed Chamber Ensemble (1 to 9 Performers), Trios, Plectral Strings/Bowed StringsOrchestra/Large Ensemble, Full Orchestra (20 or more)Stone gazes upon stone ghosts
for flute, clarinet, horn, guitar, electric organ, percussion, violin, viola and cello
Mixed Chamber Ensemble (1 to 9 Performers), Nonets, Woodwinds/Brass/Percussion, Plectral Strings/Bowed StringsSolo Voice, with Chamber Ensemble, Woodwinds/Percussion, Keyboard/Strings BowedThe Mechanical advantage
Concerto for percussionist and brass band by Omar Daniel
Orchestra/Large Ensemble, Concert Band/Large Wind Ensembles with Soloist, Percussion SoloistThe flaying of Marsyas
for violin and suspended musician with live electronics
Electronics/Multimedia, Solo Works, Bowed StringsVia cruxis
for soprano and keyboard instruments
Solo Voice, with Solo Instrument, KeyboardsQuintet
for string quartet and contrabass
Strings, Bowed, Solo/Ensemble, Quintet (2 Violin/Viola/Cello/Bass)Go to Top