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Pourriez-vous être le couteau dans ma vie
(Could you be the knife in my life?); violin, violoncello, piano, digital signal processing
Electronics/Multimedia, Chamber Ensemble (2-9 Performers), Keyboard/Bowed Strings
Everything We See In The Sky
string quartet and audio signal processing
Electronics/Multimedia, Chamber Ensemble (2-9 Performers), Bowed Strings
The crying wave
for 15 instrumentalists, conductor, sound engineer, computer operator, prerecorded audio and live signal processing
Electronics/Multimedia, Large Ensemble (10-20 Performers)
Heart of the machine
for 24 voices and narrator
Choral (9 with Voices), A Capella
Borders – distance II
for chamber ensemble
Percussion, Solo/Ensemble, with Keyboard
in pursuit of ephemera
[24 voice mixed choir and electroacoustic music]
Choral (9 with Voices), with Electronics
Voice tears
for orchestra
Orchestra/Large Ensemble, Full Orchestra (20 or more)
Roiling
for piano
Keyboard, Piano, One Keyboard, Two Hands
This disc is more than a collection of short pieces; it presents a synthesis of new electroaccoustic creation as it is practised in all its forms. - Jean-François Denis & Claude Schryer
The Weather Inside
musique nouvelle pour clarinette ・new music for clarinet
Visions of Nothingness
(in Memory of David Roxburgh)
DISContact! III provides yet another example of the CEC's commitment to promoting and fostering electroacoustic music and sonic art from Canada and abroad.
G.E.M.S. (Group of the Electronic Music Studio), initiated by John Oliver, Claude Schryer and Alcides Lanza in May, 1983, is a composer / performer chamber ensemble specializing in electroacoustic works, especially those created using the resources of the McGill University Electronic Music Studios.
A Second Compilation of Works from the Members of the CECTitle
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