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Les Interstices Tangibles
pour violoncelle et piano
Strings, Bowed, with Keyboard, Cello
lowercase
for saxophone quartet, audio signal processing and 8-channel audio diffusion
Electronics/Multimedia, Chamber Ensemble (2-9 Performers), Woodwinds
Masks of Becoming for flute, trumpet in C, harp, and violoncello
for flute, trumpet in C, harp, and violoncello
for flute, trumpet in C, harp, and violoncello
my glass cut body
for voice, four electric guitars
of circles and seconds
for soprano voice, soprano saxophone, percussion, violoncello, and audio signal processing
Electronics/Multimedia, Chamber Ensemble (2-9 Performers)
Piezo
for Percussion Solo
Portals / portails
violin, viola, violoncello, audio signal processing
Electronics/Multimedia, Chamber Ensemble (2-9 Performers), Bowed Strings
Pourriez-vous être le couteau dans ma vie
(Could you be the knife in my life?); violin, violoncello, piano, digital signal processing
Electronics/Multimedia, Chamber Ensemble (2-9 Performers), Keyboard/Bowed Strings
Pulling the Light
Land's End Ensemble @ 20
Pulling the Light: Land’s End Ensemble @ 20 is a collection of premiere recordings of beautiful new works by composers from across Canada, performed by Land’s End Ensemble with guest artist clarinetist James Campbell.
Quiver
for 14 instruments
Orchestra/Large Ensemble, Chamber Orchestra (10 to 20)
Reson I
for string quartet and 8-channel audio signal processing
Electronics/Multimedia, Chamber Ensemble (2-9 Performers), Bowed Strings
Reson II
for flute/piccolo, viola, violoncello, piano
Reson III
for harpsichord, piano, 8-channel electronics
Roiling
for piano
Keyboard, Piano, One Keyboard, Two Hands
stir
for saxophone quartet and live electronics
The crying wave
for 15 instrumentalists, conductor, sound engineer, computer operator, prerecorded audio and live signal processing
Electronics/Multimedia, Large Ensemble (10-20 Performers)
the future of a curve I
for baritone saxophone in Eb, and 8-channel live electronics
Electronics/Multimedia, Solo Works, WoodwindsGo to Top
