-
Three songs to poems by Miriam Waddington
for high voice and piano
Solo Voice, with Solo Instrument, Keyboards
Strings, Plectral, with Keyboard, Harp, Duet
Choral (9 with Voices), with Full Orchestra
Stacey
for soprano and piano
Solo Voice, with Solo Instrument, Keyboards
Echoes of Quesnel
for violin, viola, English horn and organ
Mixed Chamber Ensemble (1 to 9 Performers), Quartets, Woodwinds, Keyboard/Bowed Strings
Blurred Lines
Duo in Quartertones
Strings, Bowed, with Keyboard, Violin
Mixed Chamber Ensemble (1 to 9 Performers), Duos, Keyboard/Plectral Strings
On the other hand
Four quarter-tone studies for solo harpsichord
Keyboard, Harpsichord, One Keyboard, Two Hands
Drone on
two fragments from 'A New Pibroch' arranged for piano four hands
Keyboard, Piano, One Keyboard, Three or More Hands
A new pibroch = Am piobaireachd nuadh
for highland pipes, percussion, and strings (3211)
Mixed Chamber Ensemble (1 to 9 Performers), Nonets, Woodwinds/Percussion, Bowed Strings
The Pope dances
Tunes from the Thomas Pope manuscript
Strings, Bowed, with Keyboard, Violin
Orchestra/Large Ensemble, Full Orchestra (20 or more)
Sixteen figural chorales
from J.S. Bach's Orgelbüchlein transcribed for orchestra by John Beckwith
Orchestra/Large Ensemble, Full Orchestra (20 or more)
Fourteen Figural Chorales from J.S. Bach
from J.S. Bach's Das Orgelbüchlein
Orchestra/Large Ensemble, Full Orchestra (20 or more)
Workout
five pieces for percussion ensemble
Percussion
Choral (9 with Voices), A Capella
Choral (9 with Voices), A Capella
A man and his flute
(3 songs to poems of Miriam Waddington, #1)
Solo Voice, with Solo Instrument, Keyboards
March, march!
Four short pieces for piano
Keyboard, Piano, One Keyboard, Two Hands
Percussion, Solo/Ensemble, No KeyboardGo to Top
