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Variations sur un thème de Gilles Vigneault
pour orgue
Keyboard, Organ (Pipe or Electric), One Keyboard, Two Hands
Symphonia sacra
in tempore passionis
Choral (9 with Voices), with Large Ensemble (10 - 20 Performers), Woodwinds/Brass/Percussion
Three dances
quasi una mascherata (for accordion and percussion)
Mixed Chamber Ensemble (1 to 9 Performers), Duos, Percussion, Keyboard
Vortex
per due pianoforte
Keyboard, Piano, Two Keyboards, Four or More Hands
Sagan
radio opera in 10 scenes
Staged Vocal Works, Misc. Staged Musical Works
Loitsu
Incantation
Solo Voice, with Solo Instrument, Keyboards
Sankt Michaels liturgi
St. Michael's liturgy
Solo Voice, with Chorus with Instrumental Ensemble (1-20 Performers), Brass/Percussion, Keyboard/Plectral Strings
Advent
Veni redemptor gentium (for 4 trumpet, 4 trombone, 2 percussion and organ)
Brass, Solo/Ensemble, Octets and Large Brass Ensembles
Le cor magique
pour cor des alpes et orgue
Brass, with Keyboard, Euphonium/Baritone
Five psalms
for mixed choir a cappella
Pedalexercitium
pour orgue
Joseph Petric began exploring electroacoustic media in the early 1980s. Gems is a compendium of some of his most performed commissions in the 1980s. The electroacoustic works included in this disc by composers Hatch and Hatzis represent a breakthrough in the marriage of computer technology and the practical exigencies of concert production.
Capriccio I
per clavicembalo (parzialmente sopra un frammanto dell’ op. 69:9 di Max Reger)
Keyboard, Harpsichord, One Keyboard, Two HandsGo to Top
