-
Junk
for baritone saxophone and percussion
Mixed Chamber Ensemble (1 to 9 Performers), Duos, Woodwinds/Percussion
for pillars, gone
for orchestra
Orchestra/Large Ensemble, Full Orchestra (20 or more)
Jubilant Phantoms
for amplified accordion and virtual just-intonation accordion
Solo Keyboard with Electronics / Multi-Media
stone or rot
for amplified cello & double bass with effects pedals & electronics
Skinscape III
for amplified prepared trombone and fixed media
Solo Brass with Electronics / Multi-Media
Skinscape II
for amplified oboe and fixed media
wild creatures
for amplified soprano saxophone & electronics
Barycentre
for orchestra
Orchestra/Large Ensemble, Full Orchestra (20 or more)
Plunge
for Flute, Violin, Viola, Violoncello, Contrabass, Piano
Mixed Sextets, Woodwind(s) / Keyboard(s) / Bowed String(s)
impurity chains
for electric guitar
Strings, Plectral, Solo, Guitar/Lute, Solo
Requiem for a Penny
for low mezzo/contralto and piano
Solo Voice, with Solo Instrument, Keyboards
impurity chains is an album about influences: the joyful chaos of 21st-century listening and the creative impact this can have on a composer.
How to… Text by Monica Pearce
Text by Monica Pearce
Text by Monica Pearce
The Lonely Man Strikes With Absolute Rage
for multi percussion
Percussion, Solo/Ensemble
I took my lyre and said:
for guitar duo
Strings, Plectral, Solo, Guitar/Lute, Duet
wires at rest (tend to tangle)
for harp and violoncello
Mixed Chamber Ensemble (1 to 9 Performers), Duos, Plectral Strings/Bowed Strings
February 18, 1942
for SAB choir, piano, and percussion
Choral (9 with Voices), with Chamber Ensemble (2 - 9 Performers), Percussion, KeyboardsGo to Top
