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Toronto’s Evergreen Club has the distinction of being Canada’s first group playing music on an Indonesian gamelan (orchestra).
Memory Forms is a succession of orchestral images – chords, fragments of melody, odd scales, occasional solo lines – which appear, recede and reappear in continuously changing forms. Just as memory gives shape to life, so it forms, and informs, the experience of music.
Road to Ubud, from The Evergreen Club Contemporary Gamelan, features world premiere recordings by renowned composers John Cage, Gilles Tremblay and James Tenney.
Celestial Machine was the first recording entirely devoted to the music of Vancouver, Canada, composer Owen Underhill. This CD collects works of varied instrumentation completed between 1984 and 1999.
The Evergreen Club's first recording of popular Indonesian music is both a plateau and a paradox.
Toronto Duets is a diverse collection of comprovisations (composition/improvisation) featuring computer musician Eugene Martynec and some of Toronto's foremost improvising composers /musicians.
Live Fingers is the second release of the 40 fingers saxophone quartet, a group of Toronto composers and performers who came together in 1993.
For There and Then combines world music with contemporary classical music. Expressing a wide range of virtuosity in blending plucked strings from around the world with Indonesian gamelan instruments.
Arraymusic’s mission is to ignite and sustain a passion for contemporary Canadian musical art within an international, interdisciplinary context.
Phh!k gathers the essence of all electronic music, from mid-20th century first attempts (like the theremin) to the German school, electro-acoustics, and experimental turn-of-the-century techniques.Title
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