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Metallic Midnight in Morocco
for contra bass saxophone or baritone saxophone or alto sax and tape
Electronics/Multimedia, Solo Works, WoodwindsMuses’ Song
for alto sax and tape
Electronics/Multimedia, Solo Works, WoodwindsBeBop Baghdad
for electric guitar and tape
Electronics/Multimedia, Solo Works, Plectral StringsEntropic twilights
A tape composition in three movements [listener's score]
Electronics/MultimediaGravity’s Stillness
Resonance #6 (revised 2002)
Electronics/Multimedia, Solo Works, Bowed StringsThe vertigo of ritualized frenzy
Resonance #4; for reed instruments/piano/tape (revised 2001-2002)
Electronics/MultimediaTwilight #1
(revised 2004)
Electronics/Multimedia, Chamber Ensemble (2-9 Performers), Bowed StringsThe Heart Tears…
for brass and saxes (revised 2004)
Electronics/Multimedia, Large Ensemble (10-20 Performers), Woodwinds/BrassRevenge of the repressed
Resonance #2 [revised 2004]
Electronics/Multimedia, Solo Works, WoodwindsBelow the walls of Jericho
(revised 2004)
Electronics/Multimedia, Solo Works, PercussionChiaroscuro II
for piano and tape
Electronics/Multimedia, Solo Works, KeyboardCaught in an octagon of unaccustomed light
(revised 2004)
Electronics/MultimediaClassically-influenced electronic pieces from Tim Brady.Official launch at the Borderline Festival in Malmö (Sweden) on April 29, 2005.Kathryn Cernauskas' first solo CD, covers an astonishing range of musical and compositional styles, from traditional through wildly contemporary.Go to Top