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February 18, 1942
for SAB choir, piano, and percussion
bud
for chamber ensemble
Luna
for harp and percussion
for pillars, gone
for orchestra
Four Miniatures
for soprano and percussion quartet
microlattice
for bass clarinet, double bass, piano and percussion
The Formula
for wind quintet
Barycentre
for orchestra
Remnant Shoreline Chamber orchestra
Chamber orchestra
Foreverdark
for amplified violoncello soloist and chamber orchestra with electronics
wires at rest (tend to tangle)
for harp and violoncello
impurity chains
for electric guitar
I took my lyre and said:
for guitar duo
Junk
for baritone saxophone and percussion
The Lonely Man Strikes With Absolute Rage
for multi percussion
Slept Unwell
for SATB and electronics
Nero
for baritone and piano
Love
for soprano and piano
How to… Text by Monica Pearce
Text by Monica Pearce
First came the temple… for flute quintet (with optional audio)
for flute quintet (with optional audio)
wild creatures
for amplified soprano saxophone & electronics
Skinscape III
for amplified prepared trombone and fixed media
stone or rot
for amplified cello & double bass with effects pedals & electronics
Cryptid
for solo piano/keyboard, bass flute, Bb clarinet, trombone, violin, viola, cello, double bass, electric guitar, percussion, and electronics
Requiem for a Penny
for low mezzo/contralto and piano
Change
for soprano and piano
A Rumbling, Shimmering Beneath
for beginner band
with dawn in our lungs
for flute, clarinet, violin, violoncello, piano, and percussion
Salvation (what was needed most) for piano trio
for piano trio
Skinscape II
for amplified oboe and fixed media
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