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Strings, Bowed, Solo/Ensemble, Viola
Women Write Music
Orchestral Music by 20th Century Women Composers
Women of trachis
Incidental music for the play
Orchestra/Large Ensemble, Chamber Orchestra (10 to 20)
Wolfgang Bottenberg
Chamber Music For Strings & Piano
Choral (9 with Voices), A Capella
Witness Protection
for Trumpet, Horn, Trombone and Orchestra
without ground
for flute, cello, and percussion
Keyboard, Piano, One Keyboard, Two Hands
A complex sonic tapestry - Without Fear features works for solo instrument and interactive computer electronics, as well as works for "tape" alone. Performances by Miriam Arnold, flute, and Günter Marx, violin, reveal such a close integral relationship between musician and electronics that it truly sounds like extensions of the instruments themselves.
Maxine Thévenot, Director of Cathedral Music and Organist of the Cathedral of St. John (Episcopal) in Albuquerque, New Mexico, plays the cathedral's 2002 Reuter organ, op. 2210, of four manual divisions and pedal. Works explore the range of Baroque, Romantic, and the introduction of recently composed works in their recording premieres.
Within hours…
op. 82, no. 1
Orchestra/Large Ensemble, Full Orchestra (20 or more)
With These Tears
for solo viola
With their shadows long
violin and piano
Strings, Bowed, with Keyboard, Violin
With Rural Pen
for Voice and Piano
Solo Voice with Keyboard
Solo Voice, with Solo Instrument, Keyboards
Solo Voice, with Solo Instrument, Keyboards
With My Childhood’s Faith
for voice and piano (soprano version)
Solo Voice, with Chamber Ensemble, Woodwinds, Keyboards
With Isaac
a pastoral
Solo Voice, with Chamber Ensemble, Woodwinds/Brass, Keyboard/Strings Bowed
With every breath you take
for unaccompanied clarinet
Woodwinds, Solo/Ensemble, Clarinet
with dawn in our lungs
for flute, clarinet, violin, violoncello, piano, and percussion
for flute, clarinet, violin, violoncello, piano, and percussion
