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A complex sonic tapestry - Without Fear features works for solo instrument and interactive computer electronics, as well as works for "tape" alone. Performances by Miriam Arnold, flute, and Günter Marx, violin, reveal such a close integral relationship between musician and electronics that it truly sounds like extensions of the instruments themselves.Maxine Thévenot, Director of Cathedral Music and Organist of the Cathedral of St. John (Episcopal) in Albuquerque, New Mexico, plays the cathedral's 2002 Reuter organ, op. 2210, of four manual divisions and pedal. Works explore the range of Baroque, Romantic, and the introduction of recently composed works in their recording premieres.
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op. 82, no. 1
Orchestra/Large Ensemble, Full Orchestra (20 or more)With These Tears
for solo viola
With their shadows long
violin and piano
Strings, Bowed, with Keyboard, ViolinWith Rural Pen
for Voice and Piano
Solo Voice with KeyboardGo to Top