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Woodchuck blues
edited by Lynn Harting-Ware: for guitar
Wood Point
Bb clarinet and piano
Woodwinds, with Keyboard, Clarinet
Wood III
for alto recorder and prepared piano
Woodwinds, with Keyboard, Misc. Woodwinds Solo
Wood II
for soprano and string quartet
Solo Voice, with Chamber Ensemble, Strings Bowed
Wood
op. 51
Electronics/Multimedia, Chamber Ensemble (2-9 Performers), Woodwinds
Solo Voice, with Solo Instrument, Keyboards
Solo Voice, with Chorus with Instrumental Ensemble (1-20 Performers), Keyboards
Wondrous Love
little organ partita
Keyboard, Organ (Pipe or Electric), One Keyboard, Two Hands
Wondrous Love
for Two Voices and Piano
Orchestra/Large Ensemble, Full Orchestra (20 or more)
Strings, Bowed, Solo/Ensemble, Viola
Women Write Music
Orchestral Music by 20th Century Women Composers
Women of trachis
Incidental music for the play
Orchestra/Large Ensemble, Chamber Orchestra (10 to 20)
Wolfgang Bottenberg
Chamber Music For Strings & Piano
Choral (9 with Voices), A Capella
Witness Protection
for Trumpet, Horn, Trombone and Orchestra
without ground
for flute, cello, and percussion
Keyboard, Piano, One Keyboard, Two Hands
A complex sonic tapestry - Without Fear features works for solo instrument and interactive computer electronics, as well as works for "tape" alone. Performances by Miriam Arnold, flute, and Günter Marx, violin, reveal such a close integral relationship between musician and electronics that it truly sounds like extensions of the instruments themselves.Titre
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