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Pourriez-vous être le couteau dans ma vie
(Could you be the knife in my life?); violin, violoncello, piano, digital signal processing
Electronics/Multimedia, Chamber Ensemble (2-9 Performers), Keyboard/Bowed Strings
Everything We See In The Sky
string quartet and audio signal processing
Electronics/Multimedia, Chamber Ensemble (2-9 Performers), Bowed Strings
in pursuit of ephemera
[24 voice mixed choir and electroacoustic music]
Choral (9 with Voices), with Electronics
Roiling
for piano
Keyboard, Piano, One Keyboard, Two Hands
Piezo
for Percussion Solo
the future of a curve III
for solo soprano saxophone in Bb & saxophone ensemble
Pulling the Light: Land’s End Ensemble @ 20 est un recueil d’enregistrements de nouvelles oeuvres de compositeurs de partout au Canada. Les interprètes en sont l’Ensemble Land’s End de Calgary et le clarinettiste James Campbell.
Masks of Becoming for flute, trumpet in C, harp, and violoncello
for flute, trumpet in C, harp, and violoncello
for flute, trumpet in C, harp, and violoncello
G.E.M.S. (Group of the Electronic Music Studio), initiated by John Oliver, Claude Schryer and Alcides Lanza in May, 1983, is a composer / performer chamber ensemble specializing in electroacoustic works, especially those created using the resources of the McGill University Electronic Music Studios.
Voice tears
for orchestra
Orchestra/Large Ensemble, Full Orchestra (20 or more)
This disc is more than a collection of short pieces; it presents a synthesis of new electroaccoustic creation as it is practised in all its forms. - Jean-François Denis & Claude Schryer
Visions of Nothingness
(in Memory of David Roxburgh)
The Weather Inside
musique nouvelle pour clarinette ・new music for clarinet
Erschütterung
for six instruments
Mixed Chamber Ensemble (1 to 9 Performers), Sextets, Woodwinds/Percussion, Keyboard/Bowed Strings
Borders – distance II
for chamber ensemble
Percussion, Solo/Ensemble, with KeyboardGo to Top
