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Phil Nimmons
Canadian Composers Portraits
"For 3 consecutive nights I brought together in concert 3 distinct trios, with 6 other Montréal musicians each chosen for their fertile imagination and identifiable musical style."
Different Stones
Canadian Music For Multiple Flutes
Different Stones: Canadian Music for Multiple Flutes is an exposé of music by Canada’s younger generation of composers, and a testament to the timbral diversity and expressive capacity of this often-neglected genre.
Vox Terra is the brainchild of Canadian clarinetist Cris Inguanti, who wished to explore the kaleidoscopic variety of some of the most recent works for his instrument.
Delicate Fires
Tiresias Duo
Mark McGregor, flute; Rachel Kiyo Iwaasa, piano celebrate three decades of BC composers.
A collage made from 14 excerpts taken from five different concerts by Ensemble SuperMusique presented between 1998 and 2004.
Atlas Epileptic represents for Pierre-André Arcand a new cycle in the continuity of what is called audio art, sound poetry, music, non-music, acoustic, electronic, digital.
Improvised music using piano, objects, alto sax, voice and body. Music that is strange, expansive and elusive.
Luminance is pianist Marilyn Lerner's solo debut on Ambiances Magnétiques.
While Tim Brady's three previous Ambiances Magnétiques releases were all focused more on his work as a composer, GO [Guitar Obsession] brings the guitar back to centre stage.
Composer and guitarist Tim Brady releases his most ambitious project ever with his 3rd Ambiances Magnétiques recording, a 46-minute symphony in 5 movements for solo electric guitar, sampler, live electronics and a virtuoso chamber ensemble of 15 musicians.
An account of a man's last agonizing moments, Danielle Palardy Roger's Bruiducœur, prières des infidèles is a secular ritual involving three characters: HIM, who is dying; HER, the ironic observer; the CHOIR and SOLOISTS, empathic and omnipresent.
Idiolalla is actually a vocal illness, a made-up language infection.
Oralizations offers works spanning Paul Dutton’s more than thirty years of bursting the bonds of convention, testing the extremes of voice and verbalization, and blurring the borders between literature and music.
On this disc soloist Lori Freedman presents thirteen new improvised pieces for soprano and bass clarinets that were recorded at Radio-Canada’s Studio 12 in the spring of 2002.Go to Top
