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Résonances
pour harpe
Returning Home/Gui Qu Lai Ci for 37-pipe bamboo sheng, bassoon, pipa, and harp by Owen Underhill
for 37-pipe bamboo sheng, bassoon, pipa, and harp
River of Fire
for oboe d'amore and harp
Rondeau
for guitar solo
Ronnie’s Gone
for Octet
Row 12
for Octet
Row Me Oh
for Voice and Octet
Sacred Vocal Christmas Music for unspecified voice, flute, piano, guitar, violin, viola, cello, and triangle
for unspecified voice, flute, piano, guitar, violin, viola, cello, and triangle
Saskin’
for Octet
Seed on the Wind
a miniature for solo guitar
Self
for bass clarinet, alto saxophone, tubular bells, classical guitar, electric guitar, harpsichord and viola
Señorio de Sarria
pour deux guitares, la première étant accordée un quart de ton plus haut que la deuxième / for two guitars, the first of which is tuned a quarter tone above the second
Shelter
for solo harp
Shelter 75 minute chamber opera for five voices, clarinet, electric guitar, percussion,piano, violin & double bass
75 minute chamber opera for five voices, clarinet, electric guitar, percussion,piano, violin & double bass
Shiraz
for santur and piano
Shiraz
for santur and string quartet
Si Veriash a la Rana
for violoncello and harp
Sleepless
(from The Complete Rebirth of the Cool)
Song of the Clouds for SATB chorus, erhu, pipa, and piano by Alice Ping Yee Ho
for SATB chorus, erhu, pipa, and piano
Song to the Moon
for soprano (or flute or violin) and harp
Songs from Abbasid
for voice and guitar
Specially Mixed
for band
Spectral
(for Kazuo Ohno) for voice, sho, and satsuma biwa
Steppin’ Up
for Octet
Suite Celtique
pour Grande harpe ou Harpe celtique 34 cordes opus 6
Summer Breezes
for Octet
Summer in Vancouver for lever or pedal harp
for lever or pedal harp
Tears in the Fragile Web of Memory for flute and harp
for flute and harp
Tempranillo
pour guitare en sixièmes de ton for guitar in sixths of tones
Titre
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