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The Restless Spheres
for solo cello
Solo Cello
on a fragile curve
for piano and chamber orchestra
Chronometrics
for violin and piano
Strings, Bowed, with Keyboard, Violin
Aspects of the hawk
for guitar, violin, viola and cello
Mixed Chamber Ensemble (1 to 9 Performers), Quartets, Plectral Strings/Bowed Strings
Mixed Chamber Ensemble (1 to 9 Performers), Trios, Keyboard/Plectral Strings/Bowed Strings
Releasing anamnesis
for string quartet
Strings, Bowed, Solo/Ensemble, Quartet (2 Violin/Viola/Cello)
Strings, Bowed, Solo/Ensemble, Violin Duo
Give ear to my words, o Lord
Psalm 5: 1,2,8,12; SATB a cappella
Choral (9 with Voices), A Capella
Wings and Engines
for solo violin and orchestra
Orchestra/Large Ensemble, Orchestra with Soloist, Violin
Valence IV
for clarinet, trumpet, percussion, piano, violin, and cello
Mixed Chamber Ensemble (1 to 9 Performers), Sextets, Woodwinds/Brass/Percussion, Keyboard/Bowed Strings
Stellam – Lunam – Rorate caeli desuper
for soprano, mixed chorus, and orchestra
Solo Voice, with Full Orchestra/Chorus
and wondrous strange snow
for solo violin, strings, piano, and percussion
Orchestra/Large Ensemble, String Orchestra with Multiple Soloists, Misc. Soloist
Sharp Edges
for violin, viola, cello, bass & percussion
Mixed Chamber Ensemble (1 to 9 Performers), Quintets, Woodwinds/Percussion, Bowed Strings
Valence II
for clarinet, violin, cello, and piano
Mixed Chamber Ensemble (1 to 9 Performers), Quartets, Woodwinds, Keyboard/Bowed Strings
Valence III
for oboe, cello, and percussion
Mixed Chamber Ensemble (1 to 9 Performers), Trios, Woodwinds/Percussion, Bowed Strings
A Contemplation on the Second Station of the Cross
for string quartet
Strings, Bowed, Solo/Ensemble, Quartet (2 Violin/Viola/Cello)
Inspired by a year-long sojourn in Spain and Europe, Danielle Cumming features works by composers who, like her, spent time in other cultures and came away with their own musical impressions, or postcards.
Sharp Edges is a collection of seven solo and chamber compositions written between 2004 and 2011. It marks a landmark in Robert Baker's compositional output.Go to Top
