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Women of trachis
Incidental music for the play
Orchestra/Large Ensemble, Chamber Orchestra (10 to 20)
Orchestra/Large Ensemble, Full Orchestra (20 or more)
Splinters
for 2 clarinets, tuba, viola, double bass and percussion
Mixed Chamber Ensemble (1 to 9 Performers), Sextets, Woodwinds/Brass/Percussion, Bowed Strings
Talos IV
for solo accordion
Keyboard, Accordion, One Keyboard, Two Hands
Keyboard, Piano, One Keyboard, Two Hands
Keyboard, Piano, One Keyboard, Two Hands
Orchestra/Large Ensemble, Full Orchestra (20 or more)
Solo Voice, with Solo Instrument, Keyboards
Brass-fast
for brass quintet (for horn, 2 trumpet, trombone and tuba)
Brass, Solo/Ensemble, Quintet (2 Trumpets/Horn/Trombone/Tuba)
Brass-fast
for horn, 2 trumpet, trombone and tuba
Brass, Solo/Ensemble, Quintet (2 Trumpets/Horn/Trombone/Tuba)
Io
for violin or viola and violoncello or double bass
Strings, Bowed, Solo/Ensemble, Misc. Strings Duos (Mixed)
Nervous disorder
for flute, cello and piano
Mixed Chamber Ensemble (1 to 9 Performers), Trios, Woodwinds, Keyboard/Bowed Strings
Suite from dog in the manger
for flute, clarinet, horn, trumpet, percussion and piano
Mixed Chamber Ensemble (1 to 9 Performers), Sextets, Woodwinds/Brass/Percussion, Keyboard
A perfect introduction to Michael S. Horwood's compositional style, this recording is beautifully performed by the Sinfonia Varsovia, conducted by Ian Hobson.
Percussionique
The complete percussion music of Michael S. Horwood
"Expertly performed by the Toronto Percussion Quartet...as well as a few extra players on the larger works,...the sound quality sparkles and reveals every nuance of music that evolves from early influences by the 1960s avant-garde to a more refined style in Michael Horwood's later compositions." (Percussive Notes)
Devil’s Dance
The Warszynski Trio
The music on this CD is clearly identified with birds but none of the pieces aim at imitation, except in passing.
Michael S. Horwood's more than seventy compositions constitute a kaleidoscope of the traditional and the avant-garde, spanning a wide variety of contemporary idioms including twelve-tone, theatre pieces, electroacoustic (both live and pre-recorded), jazz, minimalism and neo-romanticism.
A Long Time Ago Into The Future
Mary Kenedi plays Canadian piano music
A Long Time Ago Into The Future was written for Mary Kenedi in 1986.
Orchestra/Large Ensemble, Full Orchestra (20 or more)Go to Top
