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Joseph Petric began exploring electroacoustic media in the early 1980s. Gems is a compendium of some of his most performed commissions in the 1980s. The electroacoustic works included in this disc by composers Hatch and Hatzis represent a breakthrough in the marriage of computer technology and the practical exigencies of concert production.
Orchestra/Large Ensemble, Chamber Orchestra (10 to 20)
Woodwinds, Solo/Ensemble, Quintet (Flute/Oboe/Clarinet/Horn/Bassoon)
Loitsu
Incantation
Solo Voice, with Solo Instrument, Keyboards
Pedalexercitium
pour orgue
Récit de deux
pour trois exécutants
Solo Voice, with Chamber Ensemble, Woodwinds, Keyboards
Keyboard, Piano, One Keyboard, Two Hands
Keyboard, Organ (Pipe or Electric), One Keyboard, Two Hands
Two Voices, with Chorus with Instrumental Ensemble (1-20 Performers), Brass
Monologo
per flauto solo
Antiphonie
cathedral music for organ
Keyboard, Organ (Pipe or Electric), One Keyboard, Two Hands
Konstellationen IV
orgel und schlaginstrumente
Mixed Chamber Ensemble (1 to 9 Performers), Duos, Percussion, Keyboard
Orchestra/Large Ensemble, Chamber Orchestra (10 to 20)
Advent
Veni redemptor gentium (for 4 trumpet, 4 trombone, 2 percussion and organ)
Brass, Solo/Ensemble, Octets and Large Brass Ensembles
Capriccio I
per clavicembalo (parzialmente sopra un frammanto dell’ op. 69:9 di Max Reger)
Keyboard, Harpsichord, One Keyboard, Two Hands
Le cor magique
pour cor des alpes et orgue
Brass, with Keyboard, Euphonium/Baritone
Rondeau
for guitar solo
La passacaille errante
autour Haendel 1985
Keyboard, Organ (Pipe or Electric), One Keyboard, Two Hands
The series of compact discs New Music from the Americas seeks to showcase and promote music which represents the unique artistic vision of composers from the three Americas.
Variations sur un thème de Gilles Vigneault
pour orgue
Keyboard, Organ (Pipe or Electric), One Keyboard, Two Hands
Carillon
le récital oublié
Constellations #5
Konstellationen V
Two Voices, with Chorus with Instrumental Ensemble (1-20 Performers), Keyboards
Orchestra/Large Ensemble, String Orchestra with Soloist, Organ
Three dances
quasi una mascherata (for accordion and percussion)
Mixed Chamber Ensemble (1 to 9 Performers), Duos, Percussion, Keyboard
Orchestra/Large Ensemble, Concert Band/Large Wind Ensembles
Riflessioni
per organo grande
Trio Sonata (1985)
for free bass accordion, tenor trombone and piano (concert grand)
Mixed Chamber Ensemble (1 to 9 Performers), Trios, Brass, Keyboard
Vortex
per due pianoforte
Keyboard, Piano, Two Keyboards, Four or More Hands
Quodlibet re Bach
for orchestra
Orchestra/Large Ensemble, Full Orchestra (20 or more)Go to Top
