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A winter day’s journey
Settings of poetry from the Imperial Anthology, Shinkokinsh? [for soprano, English horn and harp]
Solo Voice, with Chamber Ensemble, Woodwinds/Brass/Percussion, Plectral Strings
In country sleep
a setting of the poem by Dylan Thomas; for tenor, clarinet, violin, viola, double-bass and piano
Solo Voice, with Chamber Ensemble, Woodwinds, Keyboard/Strings Bowed
In country sleep
a setting of the poem by Dylan Thomas; for tenor soloist and chamber orchestra
Solo Voice, with Chamber Ensemble, Woodwinds/Brass/Percussion, Plectral Strings/Strings Bowed
Fantasia on « Down Ampney »
for flute and double string orchestra
Orchestra/Large Ensemble, String Orchestra with Soloist, Flute/Piccolo
A Northumbrian elegy
[revised 2000]
Orchestra/Large Ensemble, Full Orchestra (20 or more)
Minyo-shu: a gathering of folk song
Five Japanese folk songs arranged for SATB chorus and piano
Choral (9 with Voices), with Solo Instrument, Keyboards
Sinfonia Lyrica
orchestra
Orchestra/Large Ensemble, Full Orchestra (20 or more)
Ten Japanese folk songs
settings of traditional melodies for medium - high voice and piano
Solo Voice, with Solo Instrument, Keyboards
Ten Japanese folk songs
arranged for medium - high voice with concert harp, pedal harp or piano
Solo Voice, with Solo Instrument, Plectral Strings
Continent’s end
A setting of the poem by Robinson Jeffers; for soprano and piano
Solo Voice, with Solo Instrument, Keyboards
Seven poems of Robinson Jeffers
a song cycle low voice
Solo Voice, with Solo Instrument, Keyboards
Divine immanence
two poems by Robinson Jeffers; for soprano and piano
Solo Voice, with Solo Instrument, Keyboards
Seven poems of Robinson Jeffers
for high voice and piano
Solo Voice, with Solo Instrument, Keyboards
Strings, Bowed, Solo/Ensemble, String Sextet
Concerto for violin and orchestra
revised 2000
Orchestra/Large Ensemble, Orchestra with Soloist, Violin
Songs of Nature and Love
for soprano and piano
Solo Voice, with Solo Instrument, Keyboards
As We Stood Then
for mezzo-soprano or baritone, violin/viola, and piano
Solo Voice, with Chamber Ensemble, Keyboard/Strings Bowed
Solo Voice, with Solo Instrument, Keyboards
In Bed’lem in that faire citee
a carol
Keyboard, Piano, One Keyboard, Two Hands
Snowy Morning in Koishikawa
for Violin and Harp
Strings (bowed), Solo / Ensemble, Misc. String Duos (Mixed)
The Back of Fuji from Minobu River
for Violin and Harp
Strings (bowed), Solo / Ensemble, Misc. String Duos (Mixed)
View of Mount Fuji
Four Miniatures After Wood-Block Prints by Hokusai
Mixed Chamber Ensembles (1 to 9 Performers), Duos, Plectral String(s) / Bowed String(s)
Of love and time (Ren-ai to toki ni tsuite)
A Kumi-Uta for Soprano, Flute, Oboe, Violin, Viola, Violoncello and harpsichord
Songs of a thousand autumns
for Mixed Voices and Piano
Choir (9 + Voices) with Keyboard
Chō-On-Zan (Tide-Sound-Mountain)
for Shakuhachi
Woodwinds - Shakuhachi
A Chilcotin Pastorale
from "Illahee Shanties"
As We Stood Then
for mezzo-soprano or baritone and orchestra
Solo Voice with Chamber Orchestra
Night
For baritone, SATB chorus, string quartet (or string orchestra)
Baritone, SATB chorus, string quartet (or string orchestra)
Lines from « The Fugitive »
for high voice and clarinet in Bb
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