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Created by Steve Venright, this two-and-a-half-hour-long sonic interpretation consists of over five hundred original recordings, made at locations specific to the text and woven into a reading of the entire four-book poem by the author Christopher Dewdney.
Natural Distortions
for wind orchestra
Concert Band / Large Wind Ensembles
Natural deception
mezzo soprano, French horn, bass clarinet, bassoon, tape
Solo Voice, with Electronics and Misc. Ensemble, Woodwinds/Brass
Nativity
(SSATB choir a cappella, soprano solo)
Solo Voice, with Chorus Only
Nativitas
for piano
Keyboard, Piano, One Keyboard, Two Hands
Native ways
for coloratura soprano and 4 celli
Solo Voice, with Chamber Ensemble, Strings Bowed
Orchestra/Large Ensemble, Full Orchestra (20 or more)
Orchestra/Large Ensemble, Full Orchestra (20 or more)Go to Top
