Louis Riel

$79.98

In stock

    Louis Riel

    DVD for Institutional Use Only

    Composer
    Performer
    Conductor
    Librettist
    SKU: DVD-CMCDVDINS 16711
    Format: DVD
    Number of Discs: 2
    Release Date: January 1, 2011
    Label: Centrediscs
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    Louis Riel

    DVD for Institutional Use Only

    When purchasing this DVD for educational or informational purposes, your organization acknowledges the following:

    The program material contained in this DVD is protected by copyright and may be used only for public performance before a non-paying audience for educational or informational use. No alteration, reproduction, broadcast, sale, home video, digitization or digital delivery, or other use is permitted without written authorization from CBC.

    It’s a violation of Canadian copyright law for a home video product to be shown in a public performance setting unless the exhibitor has express permission or a license from the rights holder. It’s standard practice in the educational media industry to charge a higher price for a public performance-licensed DVD than a home use product because of the significantly higher number of viewers the public performance DVD will have over the life of the product. Prices include Public Performance Rights and classroom rights for use within a single location of the original purchasing organization.

    When Louis Riel received its premiere by the Canadian Opera Company in 1967, it was amid the cultural orgy of national celebration that was Canada’s Centennial. Much was made of the “universalism” of the opera; this was perhaps either a deliberate or an unconscious effort to bolster a deep, collective desire to demonstrate both the international success of a potential operatic export and the relevance of the musical-dramatic content to American and European audiences. Glowing reviews of the 1975 remounting of Louis Riel at Washington’s John F. Kennedy Center certainly strengthened the claim of Canadian opera boosters that this work could speak to an international audience. The test, however, of how relevant any form of cultural expression might be lies not in how well it translates beyond one’s borders, but how deeply it resonates within. Over four decades have passed since Bernard Turgeon first appeared on the stage of Toronto’s O’Keefe Centre in the iconic role of the controversial nineteenth-century Métis leader from Manitoba, and the central themes and tensions within the opera still speak to contemporary Canadian audiences.

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