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Encoded revision
piano solo
Keyboard, Piano, One Keyboard, Two Hands
Mixed Chamber Ensemble (1 to 9 Performers), Quartets, Woodwinds/Percussion, Keyboard/Plectral Strings
La vie de bohème
for E-flat sopranino clarinet and tape
Electronics/Multimedia, Solo Works, Woodwinds
Bird in Hand
for baroque flute, vibraphone, and pre-recorded tape
Electronics/Multimedia, Chamber Ensemble (2-9 Performers), Woodwinds/Percussion
Mixed Chamber Ensemble (1 to 9 Performers), Octets, Woodwinds/Percussion, Bowed Strings
The Waldo
marimba with optional MIDI-triggered electronics
Percussion, with Keyboard
Desire Variations
violin, trumpet, two keyboards, two percussion
Mixed Chamber Ensemble (1 to 9 Performers), Sextets, Brass/Percussion, Keyboard/Bowed Strings
Girl in mourning
(movement #7 of 'Big pictures')
Solo Voice, with Chamber Ensemble, Percussion, Keyboards
Twins
Movement #6 of 'Big pictures' (for clarinet and violin)
Woodwinds, with Keyboard, Clarinet
Gate of the deserted garden
Big duet #1 (movement #8 of 'Big pictures')
Strings, Bowed, with Keyboard, Violin
Big fiddle
(movement #4 of Big Pictures)
Strings, Bowed, Solo/Ensemble, Violin
Red brick
movement #2 of 'Big pictures' (for bass clarinet, trumpet, 2 percussion, piano and double bass)
Mixed Chamber Ensemble (1 to 9 Performers), Sextets, Woodwinds/Brass/Percussion, Bowed Strings
One day
(movement #10 of 'Big Pictures')
Solo Voice, with Chamber Ensemble, Brass/Percussion, Keyboard/Strings Bowed
Electronics/Multimedia, Orchestra
Electronics/Multimedia, Chamber Ensemble (2-9 Performers), Woodwinds/Percussion, Keyboard/Plectral Strings
Skyling
for flute, clarinet, piano, percussion, violin, viola and cello
Mixed Chamber Ensemble (1 to 9 Performers), Septets, Woodwinds/Percussion, Keyboard/Bowed Strings
Second thoughts
(string quartet)
Strings, Bowed, Solo/Ensemble, Quartet (2 Violin/Viola/Cello)
Mixed Chamber Ensemble (1 to 9 Performers), Quartets, Percussion, Keyboard/Bowed Strings
Big Pictures is a theatrical work by composer Michael J. Baker, painter Dan Solomon and choreographer Bill James.
In Paradisum, has a darker opening and is rough like a pre-Columbian dance, gliding soon into the serious game of transformations that eventually sidesteps the auditioning mind and imprints itself on the body.Go to Top
